文本阅读:
262参考文献
Charles Dodge和Thomas A.Jerse,《计算机音乐:合成,作曲与演奏》,1985
【DL97】Mark Dolson and Jean Laroche.About this phasiness business.In Proceedings of the International Computer Music Conference,pages55-58,Ann Arbor,1997.
International Computer Music Association.
Mark Dolson和Jean Laroche,《关于相位那些事》,《国际计算机音乐大会论文汇编》,55-58页,1997
【GM77】John M.Grey and James A.Moorer.Perceptual evaluations of synthesized musical instrument tones.Journal of the Acoustical Society of America,62:454-462,1977.
John M.Grey和James A.Moorer,《合成的乐器乐音的感觉评估》,《美国声学协会期刊》第62卷:454-462页,1977
【Har87】William M.Hartmann.Digital waveform generation by fractional addressing.
ournal of the Acoustical Society of America,82:1883-1891,1987.
William M.Hartmann,《用分数寻址进行数字波形生成》,《美国声学协会期刊》
第82卷:1883-1891页,1987
【KS83】Kevin Karplus and Alex Strong.Digital synthesis of plucked-string and drum timbres.Computer Music Journal,7(2):43-55,1983.
Kevin Karplus 和Alex Strong,《拨弦与鼓音色的数字合成》,《计算机音乐期刊》
第7卷(第2期):43-55页,1983
【Leb77】Marc Lebrun.A derivation of the spectrum of FM with a complex modulating wave.
Computer Music Journal,1(4):51-52,1977.
Marc lebrun,《使用复调制波进行调频所产生频谱的推导》,《计算机音乐期刊》
第1卷(第4期):51-52页,1977
【Leb79】Marc Lebrun.Digital waveshaping synthesis.Journal of the Audio Engineering Society,27(4):250-266,1979.
Marc Lebrun,《数字波形整形合成》,《美国音响工程协会期刊》第27卷(第4期):250-266页,1979
【Mat69】Max V.Mathews.The Technology of Computer Music.MIT Press,Cambridge,Massachusetts,1969.
MaxV.Mathews,《计算机音乐的技术》,1969
【Moo90】F.Richard Moore.Elements of Computer Music.Prentice Hall,Englewood Cliffs,second edition,1990.
F.Richard Moore,《计算机音乐的要素》,1990
【PB871T.W.Parks and C.S.Burrus.Digital filter design.Wiley,New York,1987.